![]() Auto-Tune can be used as a post effect - that is applying it after the initial recording, or the vocalist can sing into the plugin and manipulate it. Within the world of being effect-y, there are a couple of ways to go. Or simply using an automatic mode and automating the Bypass works as well, unless some serious shifting is required. Generally, using a graphical mode from Auto-Tune, Waves Tune, Melodyne, etc. Mode A is pretty straightforward - if a dirty note slides on by, hit it with just enough tuning to lock it back in. Mode B: An effect used to create a tone, much like a phaser or flanger or reverb or distortion. ![]() Mode A: A tool for locking in a few stray notes that missed the mark in spite of an otherwise rockin’ performance. In my mind Auto-Tune (or pitch correction in general) is used in one of two modes: So here are a few modern techniques for Auto-Tune. And there are things about this thing worth knowing. Love it or hate it, Auto-Tune is a thing. ![]() For another significant portion of you, this will be a great opportunity to make not-so-clever jokes like “the best technique with Auto-Tune is hiring a better singer!” Go grab your pitchforks … I’ll wait.įor many of you, this is going to be a great article about the creative and practical uses of Auto-Tune in modern music. This article is going to be about Auto-Tune.
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